Gaël Badaud Filmes

Through the use of portraits, shadow play and reflections, this series of exercises with and from body language compose a "four-handed" look against...

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...

A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.